Patrick Street


On the Fly


Loftus Music LM002; 47 minutes; 2007


A recent review of this album in the UK magazine Songlines referred to Patrick Street as a ‘Dublin band’, revealing not only the reviewer’s ignorance about a group which has never featured a Dublin-born member in its career of now twenty years and more, but a sheer lack of understanding of the derivation of the musical elements which have coloured this group’s recordings and performances since its inception.


On the Fly is the band’s first album since 2003’s Street Life, the first to feature John Carty (on fiddle, flute and banjo – though he’s been performing live with the band for several years now) and the last to include accordionist Jackie Daly, who only appears on two tracks. Indeed, following Jackie’s departure, Patrick Street must be the only Irish ‘supergroup’ whose members were all born in England (three in London and guitarist Ged Foley in Durham)! A ‘Dublin band’, Songlines?


This latest album very much follows the standard Patrick Street format. There’s a wide mix of various dance tunes (three sets of reels, including wonderful interplay between Kevin and John on Down the Broom/The Gatehouse Maid/Mulvihill’s, plus hornpipes, jigs and slip jigs, as well as a set of polkas with Jackie Daly’s box to the fore) and John’s own composition the air/jig Seanamhac Tube Station. Indeed there can have been no more joyous sound on a recent recording than the sheer swing and sway of the twin fiddles on Martin Wynne’s.


Andy digs deep into his repertoire for three songs: The Rich Irish Lady, learnt from a Peggy Seeger LP in the late 1950s; plus Erin Go Bragh, first heard in a Hull pub in 1964; and, Sergeant Small, a depression song gleaned from his many visits to Australian. As has become a matter of course, but really needs reiteration, there are few singers in the English-speaking world able to tap so fundamentally into the wellsprings of a song than Andy and these three song outings tremendously reinforce that fact. Additionally, there’s a rare outing for Ged’s vocal cords on an engrossing version of The Galway Shawl.


Lastly, those two concluding tracks with Jackie Daly provide a gorgeous reminder of the accordionist’s ability to spur a tune ever onwards into the deepest regions of the imagination and provide some of the slickest ‘tips’ you’ll ever hear in your life.


Ever enthralling, On the Fly is an essential purchase.


Geoff Wallis


5th March, 2008



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